Inspiration Ireland

I enjoyed a fantastic holiday in Ireland in 2016 and we will be returning for another holiday next year. Researching ancestors and visiting new places is always exciting. We take lots of photographs which are also useful as inspiration for weaving.

The Aran Islands are amazing. The scenery is so different from the type of farmland that I am used to.  A small island means that every space is utilised.

Look at these pictures of the fields and stone walls from Inis Oirr.  The weather was misty which added a lovely feel to the scene.  When the clouds parted the green fields seemed to sparkle.

irregular walls

an evocative landscape

I loved the way the colours of the stonework and the fields changed as the clouds, sun and mist altered the light.  They reflected the mood of the weather.  Looking at the images afterwards I was stuck with the irregular pattern of the walls and the many shades of green.  I wondered whether I could capture this in a weaving design.

A few years ago I spent many happy months experimenting with deflected weave structures. I examined my too large yarn stash and wondered what I could use to give a feel for this wonderful landscape.

I thought of a pattern with grey silks for the borders.  It is an eight shaft design with two further shafts for plain weave selvedges. The weave is a two shuttle weave.

Drawdown.

I used two qualities of silk, a light grey tussah silk and four strands of dark grey 2/60 spun silk to represent the walls. These outlined the green areas.  I had three shades of green silk for the grass areas and a lighter shade for the weft.


Warp: 2/20 light grey tussah silk sett at 20 epi.       2 ends per dent in a 10 dent reed.
2/60 silk used double in shades of green sett at 30 epi.       3 doubled ends per dent in a 10 dent reed. I shaded the green colours across the width of the scarf.

Weft: I used a lighter shade of green silk for the grass areas which I thought would help to meld the other greens together. This was 2 strands of 2/60 silk. For the walls, I used a grey 2/60 silk with four strands. I used two colours of grey silk hoping to provide a contrast and to reflect the changing greys of walls in the photograph.  There are 50 groups of cells.

Total number of warp ends:   500 plus and extra 8 tussah silk to balance the pattern.  508  ends in all.

Width of scarf: 18.5 inches.

close up of the scarf showing the structure

The finished scarf

Although I enjoyed the designing and weaving of this scarf I am not happy with the final look. The green silk across the warp is not shaded sufficiently and the green colours needed to be brighter.

We will be going back to Ireland and the Aran Islands next year. I loved the country and the people I met.

The ferry to the Aran Islands

The Handwoven Belt of the Aran Islands. 

The crios is part of the heritage of the Aran Islands and demonstrates the creativity of the women who devised and wove them. 

Cleas Crafts on Inis Oirr was a delight and I am looking forward to another boisterous boat ride to the island. They were very  helpful when I was researching crios weaving. I was particularly thrilled to buy a crios that had been handwoven on the island. Cathleen, the outlet manager,  showed me how to tie the crios how the crios was traditionally tied around the waist

Here is the short YouTube video:

How to tie the crios.    https://youtu.be/Z5jfQJGD5eEI 

My latest article has appeared in the Journal for Weavers, Spinners and Dyers.  http://www.thejournalforwsd.org.uk/home

My article is called: The Crios: A Weaver's Quest.  It describes my research journey to Ireland and the Aran Islands to find out more about the crios.  For the article I made a YouTube video showing the different ways in which a crios can be woven. 

Here is link to my Youtube video Six Ways to Weave a Crios.

https://youtu.be/43R8no-9hG0

My next blog will be in the New Year.  

A Happy Christmas and a delightful festive season to everyone. 

Susan J Foulkes (December 2017)

Handwoven in Ireland

In September we spent a month travelling around Ireland.  It was a wonderful journey taking in prehistoric sites, the islands and the towns of Kilkenny, Cork, Galway, Dublin and Youghal where my husbands family came from,  Youghal came to international fame in the early 1950's as the setting of the John Huston film, Moby Dick which was produced in 1954. A public house overlooking the harbour was used in the shooting of the film. It has a display of  photographs taken of the cast and crew during the making of the film. John Huston used the bar as his headquarters to plan each day's filming. Youghal's nineteenth century lighthouse is also shown in the film.

Youghal harbour

As a handweaver, I am always on the lookout for outlets selling handwoven products. I love seeing what other weavers are producing.  I would like to share one of these outlets with you this month - others will follow in future posts.

In Dublin near the National Museum and just around the corner from St Stephen's Green is Cleo.

The large sign on the wall proclaimed handknits and handweavers so I had to explore.

In Ireland, the interest in handcrafted Irish goods was stimulated by the opening of The Country Shop in St Stephen's Green in December 1930 by Muriel Gahan.  This was the start of a revival of traditional Irish crafts and brought the variety of Irish handmade wares to the capital.  It was not the first shop to sell Irish craft but it was a non-profit making venture to support the traditional craft workers in rural Ireland. Unfortunately this closed in 1978.

Cleo has been around for 70 years.  It is a family business that the grandmother of Sarah Joyce the current owner, established in 1936. Initially Cleo's sold children’s clothes but in the post-war years Sarah’s grandmother realized there was an increasing number of tourists, especially Americans, visiting Dublin and she started to stock hand-knitted sweaters from the Aran Islands for the new influx of visitors to buy as souvenirs of their visits to Ireland.

Look at the beautiful railings.

Railings outside the shop

The present shop is a riot of colour as you can see from the window display.

Here is a close up of a shawl displayed outside - just the thing for the colder weather.

The lovely shawl - so beautiful to touch.

The shop has a number of handweavers who supply items for sale. Beth Moran (Ballytoughey Loom) is based on Clare Island and makes naturally dyed rugs from her own sheep, and a wide range of shawls, blankets and silk scarves and ties. Also Liz Christie, Co. Monoghan, Deirdre Duffy (Wild Cocoon), Máire Ní Taigh, Galway and Helena Ruuth who is sadly no longer weaving.
The shop is a treasure trove and piled high with interesting items, including wool. The colours glow like jewels and there are some fascinating items to be found.

My interest, as you know, is for handwoven belts and I was delighted to find a display of handwoven Crios.

The Crios that I bought in Dublin

This was woven by John McAtasney who is in his 80's. He started weaving in 1948 at the age of 14.

This is a sturdy strap and is woven using Irish wool from Donegal and Kerry woollen mills with the coarse quality of Irish wool.  It is 6 cm (2.5 inches) in width and  190.5 cm (75 inches) in length. There are four plaits on each end about 12.5 cm  (5 inches) in length. It is a plain weave, warp faced band.

Of course it does not need to be used as a belt. Here is another of his Crios used as a guitar strap.

Here is one of John's crios used as a guitar strap.

I wanted to find out more about John who specializes in handwoven blankets, damask linen and criosanna.

I found a short YouTube video of John McAtasney weaving on a loom in the Ballydugan weaver's house in the Ulster Folk Museum.

https://youtu.be/D1mKWyRCnXE

He even has a dedicated poem!  See it at  http://www.craigavonhistoricalsociety.org.uk/rev/mcelroykscutchmill.html

I feel very privileged to own a Crios handwoven by a such a fascinating master weaver.

I found this shop by accident as I was leaving the National Museum.  If you are in Dublin, do go to 18 Kildare Street for a refreshing and colourful encounter with genuine Irish crafts.

I will be visiting Ireland again in future blogs to tell you about my textile adventures.

Susan J Foulkes